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Professional Production, Mixing and Mastering

 

Sequoia/Samplitude

Tim Dolbear - North American Product Specialist

"How To" page

Home:
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Resources

Samplitude/Sequoia

• Samplitude/Sequoia Resources
• Interviews with the Pros
• Presets for Samplitude/Sequoia

"How to" articles

• Customizing the GUI
• The "Essentials" plug-in suite
• The Time Display
• Spectral Cleaning
• Multiband Stereo Enhancer

 

Other Resources

UAD-1 and UAD-2  Presets

Exporting Bar1/Beat1

DBX128 manual

Tim's Samplitude and Sequoia YouTube  "How to" and interview Channel

Magazine Article

Problem-solving After the Downbeat: Troubling shooting live audio disaster on the fly - Article from Professional Sound

 

 

 

 

The Essentials

MAGIX’s New Essential Effects Plug-in Suite

The Essential Plug-ins where developed at the request of working professionals for a high quality, low resource effect plug-in with a compact graphic user interface (GUI).

 

Developed by Magix’s plug-in guru Sascha Eversmeier for the version 11 release of Samplitude and Sequoia, the GUI’s layout is standardized throughout the series for ease of use and fast results. The suite consists of a Compressor, Chorus and Flanger, Stereo Delay, Reverb, and Phaser. Today we are going to look at a couple unique features contained within this suite.

 

You can download the presets mentioned in this article here:

 

Essential Presets

 

Essential Compressor

The Compressor has the standard threshold, attack/release and ratio controls. Also available is side chaining, selectable between internal, controlled by the SC filter control, or external, which is assignable to other source tracks within the project. The attack/release’s feel and sound is different from any other compressor in the Samplitude series. The attack is able to get that fast 1176 style “grab” without collapsing the sound, while the very fast release times can combined with the super fast attack for a nice amount of intermodulation distortion, caused by the quick change in volume being applied to the signal.

I have included a couple of good 1176 type presets and a preset modeled after Eclectica Studio’s DBX 128, which contains the famous DBX 160 compressor. Simply download the preset and place them in the Samplitude folder, in the MAGIX Plugins\essentialFX\Presets folder. Of course the compressor presets go into the compressor folder.

Then the presets will be available with-in the plug-in’s preset drop down menu.

1176-1 - TimDolbear.efx
1176-2 - TimDolbear.efx
DBX160 - TimDolbear.efx

 

Essential Chorus/Flanger


Next up is the Chorus/Flanger plug-in. This is a great all-round chorus and flanger. I have included here presets modeled after the DeltaLabs Effectron II unit here in the studio too.
This is a great MONO chorus that helps make bass guitars and other bass sources gain a musical fullness without the movement a stereo chorus can introduce.

I have also included my favorite stereo chorus setup for a classic Rhodes piano.

Mono Chorus - DeltaLabs EffectronII - TimDolbear.efx
Rhodes-1 - TimDolbear.efx

 

 

Essential Stereo Delay

The Stereo Delay unit is fantastic.
The Stereo Delay contains all of the features you’d expect from a modern digital delay: feedback control that produces either a ping-pong repeating or standard stereo, sync to tempo, variable dampening, and selection between digital and analog emulations. It really captures nicely the flavor of an analog delay line. The dampening combined with the feedback control yields a great musical result.

I have included a preset that is near and dear to my heart--my own personal emulation of a Radio Shack reverb unit from the early 80’s. Others have created plug-ins to emulate it but the Essential’s Stereo Delay nails the musical charm of the original without modeling the noise. I didn’t like the noise or transistor distortion then, but loved the unique “echo-reverb” sound that sits beautifully into a mix.

Radioshack Reverb - TimDolbear.efx

 

 

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